December 2012
In this issue:
Home Brew, Bic Runga, Bannerman, Sticky Filth, Gin Wigmore and more. 2012 NZM Wallplanner included!!
Home Brew, Bic Runga, Bannerman, Sticky Filth, Gin Wigmore and more. 2012 NZM Wallplanner included!!
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A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Album results for A
Sentient Beings
Simple
Wanderers
3 Sides of the Same Coin
A Year of Wednesdays
About That Time
Agent Alvin
All Red Cables
Always & For Real
An-jel-ka
Annabel Fay
Artificial Light
As For Now
Ashleigh Southam
Audible 3
Audio Empire
Behind The I
Between The Spaces
Billion
Blue Skies
Cat & Bird
Chatter
Circa Scaria
Circle Of The Sun
City Chorus
City In Exile
Contimental Drift
Culture Tunnels
Drama Queen
El Toroloco
Ella Songs
Expand/Contract
February Humidity EP
From The Back Of The Sun
Great Escape
Happy Accidents
Hearts EP
In Swings The Tide
In The Pink
Intermetallica
Isn't It Time You Thought About Something More Than What Makes You Happy?
Journey (Aere'anga)
Love and Such
Love In Motion
Master
Masterous Coloundraful
Matariki
Maybe Later
No Come Down
Null And Void EP
Oh, Colour EP
One Day Over
Our New Life Above The Ground (Double Disc)
Our Place
Pacific Voyage
Play Banjo
Reasons For Voyaging
Shanks' Pony
Stolen Hill
Thank You To The Monsters
The Best Kept Secret
The Best: Polyfonk
The Edge Of The World
The Fourth
The Indifferent Velvet Void
The Lake
The Music EP
The Space Between
These Cities, Our Graves
Thinking Room
This Is Me
Three Feathers
Through The Years
Traces Of Silver
Traffic In Gold
Traveller
Tuia
Twin Coast Remixes
Walk On By
We Are The Dead
Whaea
Who Let the Drunk Sing
All Red Cables: Who Let the Drunk Sing
By Kent Walsdorf
He is one prolific music veteran is Andrew Spittle, managing to turn out an impressive 18 albums under the guise Dating Godot, and now racking up more as All Red Cables. Such turnaround must come at a price and while there are moments of musical brilliance here there are patches that aren’t so. Mend was a definite highlight, good ol’ alternative rock with a big sound and a killer riff. Then a shift into melancholic piano angst performance with a touching vocal to finish the album nicely. The rest of the songs involve fuzzing guitars, live and programmed drums, quiet acoustic ballads and a vocal experience that is reminiscent of the old Dunedin attitude. Some more TLC with the song structures wouldn’t have hurt and in a production sense it was a little confusing. Was that a low-fi album being made high-fi or a high-fi album not quite getting there? That said, all round a good one man album.Related Information
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June/July 2006
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