December 2012
In this issue:
Home Brew, Bic Runga, Bannerman, Sticky Filth, Gin Wigmore and more. 2012 NZM Wallplanner included!!
Home Brew, Bic Runga, Bannerman, Sticky Filth, Gin Wigmore and more. 2012 NZM Wallplanner included!!
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D
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G
H
I
J
K
L
M
N
O
P
Q
R
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T
U
V
W
X
Y
Z
Album results for P
Akinosuke
Akira Sunrise
Arse
Beyond Here
Beyond Knowing
Big Things Instrumentals
Books & Magazines
Borne Together
Brothers In Battle Split Compilation
China
Contrite Elegant Rebel
Cruiseville
Delayed Reaction
Diamond Side
Edin
Everything
Flowers and Frolic
Footsouljahs
For The Record (The Pixie Williams Collection 1949-1951)
From Ape To Angel
Future Far I
Gentle Landings
Gone to Ground
Halfway Between Ape & Angel
Happy Accidents EP
Heart Approved Institute
Horsepower
I Te Timatanga
Illusion Fades Away
In A Quiet Storm
Last Chance Ranch
Legend in My Loungeroom
Long Player
Lost Contact
Lotus Beat
Love vs. Blues
Love Without Measure
Magic City
Mothersline
My Pick
My Sweet Town
No Love- No Hate
No Myths, Just Legends
No Ordinary Day
Nouveau Piano - Travelling Within
Now Then: One Hit Windows
Out of the Blue
Pacifi Celta
Pacific Swing
Pacifier
Pacifier
Pajama Club
Pan Am
Paul Timings
Peter Shaw & The Blue 56
Photonic
Phullyosophy Vol. 1
Pipeline Under the Ocean
Poisoners
Process
Project Boris
Psych Tigers
Rarities & Remixes
Rave X
Reeling in the Pacific
Rhymes of Ancient Passion
Rhythm, Sound and Movement
Rif Mountains
Rookie Card
Rude Mechanicals
Second Chances
Shelter From the Norm
Shooting Stars
Slow Borders
Slowpoke
Smalltime Records Punk & Ska Sampler
Snag Bag
Songs Of Kurt Weill
Sound Tracks
Spaceman
Square Peg
Stick To Yer Guns
Strike Me Pink
Sunken Water
Supercharged
Te Kore
The Deliberate People
The Red EP
The Romance of Travel
The Shadows of the Birds Flying Fall Slowly Down the Building
The Sound of Puke
Twelve Hour Collision
Waiting For 2012
When The Tide Turns
You Can Have It All
Paul Williams: Beyond Here
By Bruce Morley
In solo performance mode, Paul Williams of the Beautiful Losers delivers four long, stand-alone, live-in-the-studio improvisations using only his cello and a few samples, mediated by five electronic devices (thoughtfully listed in his liner note). There are no edits or overdubs, and the result has such a seamless, hypnotic quality that it's easy to overlook the fact that, given some preparation by Williams, it's being developed on the spot. Spoken-word samples from Martin Luther King, HAL in '2001' and others (no doubt related to Williams' earlier incarnation as a singer/songwriter) create a curious feeling that there's a hippie philosophy behind the sophisticated soundscape. Intriguing, and deeper than it may sound on first hearing. Available via www.beautifullosers.co.nzRelated Information
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